My name is Andrew G. Berger.
I have always loved reading and storytelling, whether captivating an audience or weaving tales for my sons. Eventually, this passion led me to embark on a journey I had long envisioned: writing a novel. The topic had been simmering in my mind for years—the consequences of AI’s triumph and its profound impact on humanity.
How would the rise of AI and a fully digital world reshape us as individuals? Would it alter our humanity? And what if a sudden catastrophe wiped out all digital tools in one devastating moment? What would remain of us as human beings if we were thrust back into a “digital Stone Age”, left to rely solely on ourselves?
These questions drove the creation of my science fiction novel, THE SUPERFLARE. It’s a story born from my fascination with the intersection of technology, human nature, and the fragility of the digital age.
A bit about me: I have a background in German Literature, Political Science, and History. Today, I live and work in Berlin, where I share my life with my wife and our two children.
Please feel free to read the AUTHOR INTERVIEW below to learn more about me and the writing process.
You can find some of my articles on AI and writing here:
WILL AI MAKE AUTHORS OBSOLETE?
https://apenbok.com/articlepreview/51
https://writezenith.com/article/will-ai-make-authors-obsolete
Chatting with Chat GPT
The IWORDBOOKS Interview – Andrew G. Berger
26 Feb 2024
What inspired you to write this book?
One day I was sitting in a subway train and looked around me – everybody around me was staring at some kind of digital screen. This example is just the tip of the iceberg. Today we are completely dependent on countless digital helpers – smartphones, navigation devices, laptops, iPads, tablets, smart TVs, smart watches, Alexa, Siri, Cortana, smart homes, Google, the Internet, etc. And I thought to myself – what if some catastrophe caused the digital world to collapse? What if all our digital devices stopped working overnight? How would people react if they were suddenly deprived of all their technical and digital helpers? That seemed to be the interesting core of a thrilling story. But what could cause such a catastrophe? After some in-depth research, I found out: A worldwide EMP, triggered by a gigantic solar storm, could do the trick. Based on this concept, I designed possible scenarios that branched out and condensed more and more. The story that would eventually be told in THE SUPERFLARE slowly began to emerge.
Where did you get your information or idea for your book?
From everyday life, experiences, and the topics that occupied me. The fear of machines, robots, and artificial intelligence has been as old as humanity’s longing to simplify their lives, enhance their capabilities, or even – as “homo deus” – create a new life form: Artificial Intelligence. Professor Yuval Noah Harari describes this process and its potential consequences in his book “Homo Deus: A Brief History of Tomorrow.” His concern is that artificial intelligence might not make humans all-powerful but rather render them obsolete. When I began writing THE SUPERFLARE several years ago, these thoughts were on my mind as I developed the character of TRON, an artificial super-intelligence that plays a central role in my novel.
When you’re working on a book and a new idea pops up, should you pursue it immediately (also known as ‘UP syndrome’) or finish your current project first? What do you think is the best course of action?
I think every writer has his/her own way of dealing with such ideas. I tend to concentrate on the project at hand, but I also use a pin board to pin down new ideas so that they are not lost.
Which character do you enjoy writing the most as a writer and why? If choosing a favorite character is like choosing a favorite child, which character do you find requires the most attention and detail from you as a writer?
I enjoyed all the characters and their interplay. But, of course, the main characters require the most attention. During the writing process, many of the supporting characters developed a life of their own and became increasingly important, so I gave them more room to move.
Was there anything you had to research for the book?
Of course, good research is essential. The technical details, the world-building, and the whole setting must be coherent – despite all the poetic and creative freedom necessary to write an exciting, captivating story.
Did you have any say in the cover design?
Yes, of course, I ordered it and discussed and commented on each draft I received from the designer until I was fine with the result and accepted it.
Do you have any personal connection to the story or characters?
Of course, because I created them. They are based on my thoughts, my ideas, and my imagination, which in turn are based on my experiences and my character, the books I have read, my likes and dislikes, fears and hopes, my values, the society and time I live in. Nobody writes in a vacuum.
What were the key challenges you faced while writing your book?
I started with a basic story idea and plot outline. As the writing progressed, the story became more and more complex, and it was quite a challenge to keep track of all the different strands of the story and the many characters and weave them together in a meaningful and exciting way. I also had to accept that the characters had developed a life of their own, so I just followed them and the flow to find out where it would take me. After having finished the first draft, the re-write process began to make sure that every piece fell into the right place.
https://iwordbooks.com/InterviewsPreview/272/The-IWORDBOOKS-Interview—Andrew-G–Berger